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The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective
U: Formats of (Non)Seeing. Zagreb: Institute of Art History, 2024. str. 140-153. https://doi.org/10.31664/9789533730530.07
Östlind, Niclas

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Östlind, N. (2024). The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective. Formats of (Non)Seeing (str. 140-153). Zagreb: Institute of Art History. doi: 10.31664/9789533730530.07

Östlind, Niclas. "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective." Formats of (Non)Seeing, Institute of Art History, 2024, str. 140-153

Östlind, Niclas. "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective." U Formats of (Non)Seeing, 140-153. Zagreb: Institute of Art History, 2024. Citirano 13.02.2025.

Östlind, N. (2024) 'The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective', Formats of (Non)Seeing, Institute of Art History, Zagreb, str. 140-153. (Datum pristupa: 13.02.2025.)

Östlind N. The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective. Formats of (Non)Seeing. Zagreb: Institute of Art History; 2024. Str. 140-153. [pristupljeno 13.02.2025.]

N. Östlind, "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective", Formats of (Non)Seeing Zagreb: Institute of Art History, 2024. [Online] [Citirano: 13.02.2025.]

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Naslov (engleski)The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective
AutorNiclas Östlind
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Povijest umjetnosti
Sažetak (engleski)
Photography has rarely had a particularly prominent position in the discipline of art history. There are several reasons for this, including hierarchies between established forms of expression such as painting and sculpture and newer media, as well as the difficulties of dealing with the breadth and heterogeneity of photography - photography exists in an almost incalculable number of contexts, most of which are far from the domain of art history. Knowledge of photography and its history has therefore often been formulated in completely different areas. Many of the contributions come from the fields of literature, philosophy and sociology, but also from media and communication studies. Several of the classic texts were written in the interwar period, such as Walter Benjamin’s essay “Kleine Geschichte der Photographie”, originally published in the literary journal Die Literarische Welt No. 38, 1931, or Lucia Moholy’s A Hundred Years of Photography 1839–1939, published by Penguin Books in London in 1939. Like many others interested in the history of photography, she was herself a practising photographer, as was her husband Lazlo Moholy-Nagy, who published Malerei, Fotografie, Film as early as 1925. The book was number 8 in the Bauhaus series and, in line with the school’s educational and aesthetic ideals, it had an interdisciplinary and practical perspective.
Jezikengleski
Vrsta publikacijeZnanstveni rad - Izvorni znanstveni rad
Status objaveObjavljen
Vrsta recenzijeRecenziran - međunarodna recenzija
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov zbornikaFormats of (Non)Seeing
Brojčani podacistr. 140-153
ISBN9789533730530 (e-izdanje)
DOIhttps://doi.org/10.31664/9789533730530.07
Datum objave publikacije2024
ProjektŠifra: IP-2019-04-1772
Naziv (hrvatski): Teme i aspekti hrvatske fotografije od 19. stoljeća do danas
Naziv (engleski): Themes and Aspects of Croatian Photography from the 19th Century until Today
Kratica: Ekspozicija
Voditelj: Sandra Križić Roban
Pravna nadležnost: Hrvatska
Financijer: Hrvatska zaklada za znanost
Linija financiranja: Research Projects
SkupNaziv: Formats of (Non)Seeing
Lokacija: Split, Hrvatska
Organizator: Institut za povijest umjetnosti
Datum početka: 2022-10-27
Datum završetka: 2022-10-29
Vrsta izlaganja: Predavanje
Vrsta resursaTekst
IzdavačInstitute of Art History
Mjesto izdavanjaZagreb
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Datum i vrijeme pohrane2025-02-07 13:33:19