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Scientific paper - Original scientific paper
The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective
In: Formats of (Non)Seeing. Zagreb: Institute of Art History, 2024. pp. 140-153. https://doi.org/10.31664/9789533730530.07
Östlind, Niclas

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Östlind, N. (2024). The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective. Formats of (Non)Seeing (pp. 140-153). Zagreb: Institute of Art History. doi: 10.31664/9789533730530.07

Östlind, Niclas. "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective." Formats of (Non)Seeing, Institute of Art History, 2024, pp. 140-153

Östlind, Niclas. "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective." In Formats of (Non)Seeing, 140-153. Zagreb: Institute of Art History, 2024. Accessed 2025 February 14

Östlind, N. (2024) 'The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective', Formats of (Non)Seeing, Institute of Art History, Zagreb, pp. 140-153. (Accessed 14 February 2025)

Östlind N. The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective. Formats of (Non)Seeing. Zagreb: Institute of Art History; 2024. Pp. 140-153. [cited 2025 February 14]

N. Östlind, "The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective", Formats of (Non)Seeing Zagreb: Institute of Art History, 2024. [Online] [Accessed: 14 February 2025]

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Title (english)The Example of Photography in Print and Circulation — On the Historiography of Photography, Artistic Research and the Multidisciplinary and Practice-based Perspective
AuthorNiclas Östlind
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract (english)
Photography has rarely had a particularly prominent position in the discipline of art history. There are several reasons for this, including hierarchies between established forms of expression such as painting and sculpture and newer media, as well as the difficulties of dealing with the breadth and heterogeneity of photography - photography exists in an almost incalculable number of contexts, most of which are far from the domain of art history. Knowledge of photography and its history has therefore often been formulated in completely different areas. Many of the contributions come from the fields of literature, philosophy and sociology, but also from media and communication studies. Several of the classic texts were written in the interwar period, such as Walter Benjamin’s essay “Kleine Geschichte der Photographie”, originally published in the literary journal Die Literarische Welt No. 38, 1931, or Lucia Moholy’s A Hundred Years of Photography 1839–1939, published by Penguin Books in London in 1939. Like many others interested in the history of photography, she was herself a practising photographer, as was her husband Lazlo Moholy-Nagy, who published Malerei, Fotografie, Film as early as 1925. The book was number 8 in the Bauhaus series and, in line with the school’s educational and aesthetic ideals, it had an interdisciplinary and practical perspective.
Languageenglish
Publication typeScientific paper - Original scientific paper
Publication statusPublished
Peer reviewPeer review - international
Publication versionPublished version
Publication titleFormats of (Non)Seeing
Numberingpp. 140-153
ISBN9789533730530 (e-izdanje)
DOIhttps://doi.org/10.31664/9789533730530.07
Publication2024
ProjectNumber: IP-2019-04-1772
Title (croatian): Teme i aspekti hrvatske fotografije od 19. stoljeća do danas
Title (english): Themes and Aspects of Croatian Photography from the 19th Century until Today
Acronym: Ekspozicija
Leader: Sandra Križić Roban
Jurisdiction: Croatia
Funding stream: Research Projects
ConferenceTitle: Formats of (Non)Seeing
Location: Split, Croatia
Organizer: Institut za povijest umjetnosti
Start date: 2022-10-27
End date: 2022-10-29
Assembly type: Lecture
Type of resourceText
PublisherInstitute of Art History
Publishing placeZagreb
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2025-02-07 13:33:19