prikaz prve stranice dokumenta “Both Sides Now”: Images of a Museum’s Life From Up and Down
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“Both Sides Now”: Images of a Museum’s Life From Up and Down
U: Formats of (Non)Seeing. Zagreb: Institute of Art History, 2024. str. 126-139. https://doi.org/10.31664/9789533730530.06
Gržina, Ivana

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Gržina, I. (2024). “Both Sides Now”: Images of a Museum’s Life From Up and Down. Formats of (Non)Seeing (str. 126-139). Zagreb: Institute of Art History. doi: 10.31664/9789533730530.06

Gržina, Ivana. "“Both Sides Now”: Images of a Museum’s Life From Up and Down." Formats of (Non)Seeing, Institute of Art History, 2024, str. 126-139

Gržina, Ivana. "“Both Sides Now”: Images of a Museum’s Life From Up and Down." U Formats of (Non)Seeing, 126-139. Zagreb: Institute of Art History, 2024. Citirano 02.04.2025.

Gržina, I. (2024) '“Both Sides Now”: Images of a Museum’s Life From Up and Down', Formats of (Non)Seeing, Institute of Art History, Zagreb, str. 126-139. (Datum pristupa: 02.04.2025.)

Gržina I. “Both Sides Now”: Images of a Museum’s Life From Up and Down. Formats of (Non)Seeing. Zagreb: Institute of Art History; 2024. Str. 126-139. [pristupljeno 02.04.2025.]

I. Gržina, "“Both Sides Now”: Images of a Museum’s Life From Up and Down", Formats of (Non)Seeing Zagreb: Institute of Art History, 2024. [Online] [Citirano: 02.04.2025.]

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Naslov (engleski)“Both Sides Now”: Images of a Museum’s Life From Up and Down
AutorIvana Gržina
Autorova ustanova(Hrvatska akademija znanosti i umjetnosti)
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Povijest umjetnosti
Sažetak (engleski)
In recent times, both among scholars and museum professionals, an increasing amount of attention has been paid to the long-neglected, but truly vast corpus of photographs existing in museums outside formal museum collections. These are usually understood and used in museums as mere tools with different functions within the institutional ‘ecosystem’, as items which are ‘just there’. In the environment of Croatian institutions, the tendencies that cast light on the ‘non-collection photographs’... Više have manifested in two fields of academic and professional interest. More specifically, it has turned out that, in addition to lesser-known private collections, it is precisely this mass of orphaned photographs in museums that is often a bountiful supplement for the national photographic canon. On the other hand, these photographs are increasingly becoming a subject of interest in the context of perceiving the ‘epistemological potential’5 of photographic collections/non-collections/archives within the framework of scholarly disciplines relied on by individual museums. Via the same mechanism, they contribute to the reconstruction of the history of museums and prevailing institutional discourses and practices. I will reflect on a specific segment of museum photography, which is, so to speak, lowlier than ‘lowly’ in a museum. Sakrij dio sažetka
Jezikengleski
Vrsta publikacijeZnanstveni rad - Izvorni znanstveni rad
Status objaveObjavljen
Vrsta recenzijeRecenziran - međunarodna recenzija
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov zbornikaFormats of (Non)Seeing
Brojčani podacistr. 126-139
ISBN9789533730530 (e-izdanje)
DOIhttps://doi.org/10.31664/9789533730530.06
Datum objave publikacije2024
ProjektŠifra: IP-2019-04-1772
Naziv (hrvatski): Teme i aspekti hrvatske fotografije od 19. stoljeća do danas
Naziv (engleski): Themes and Aspects of Croatian Photography from the 19th Century until Today
Kratica: Ekspozicija
Voditelj: Sandra Križić Roban
Pravna nadležnost: Hrvatska
Financijer: Hrvatska zaklada za znanost
Linija financiranja: Research Projects
SkupNaziv: Formats of (Non)Seeing
Lokacija: Split, Hrvatska
Organizator: Institut za povijest umjetnosti
Datum početka: 2022-10-27
Datum završetka: 2022-10-29
Vrsta izlaganja: Predavanje
Vrsta resursaTekst
IzdavačInstitute of Art History
Mjesto izdavanjaZagreb
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Datum i vrijeme pohrane2025-02-07 13:26:42
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