prikaz prve stranice dokumenta Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia
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Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia
U: Formats of (Non)Seeing. Zagreb: Institute of Art History, 2024. str. 108-123. https://doi.org/10.31664/9789533730530.05
Rajković Pejić, Ana

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Rajković Pejić, A. (2024). Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia. Formats of (Non)Seeing (str. 108-123). Zagreb: Institute of Art History. doi: 10.31664/9789533730530.05

Rajković Pejić, Ana. "Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia." Formats of (Non)Seeing, Institute of Art History, 2024, str. 108-123

Rajković Pejić, Ana. "Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia." U Formats of (Non)Seeing, 108-123. Zagreb: Institute of Art History, 2024. Citirano 13.02.2025.

Rajković Pejić, A. (2024) 'Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia', Formats of (Non)Seeing, Institute of Art History, Zagreb, str. 108-123. (Datum pristupa: 13.02.2025.)

Rajković Pejić A. Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia. Formats of (Non)Seeing. Zagreb: Institute of Art History; 2024. Str. 108-123. [pristupljeno 13.02.2025.]

A. Rajković Pejić, "Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia", Formats of (Non)Seeing Zagreb: Institute of Art History, 2024. [Online] [Citirano: 13.02.2025.]

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Naslov (engleski)Skinny and Exhausted: Photographs of Underaged Labour Force in Interwar Yugoslavia
AutorAna Rajković Pejić
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Povijest umjetnosti
Sažetak (engleski)
The relationship between photography and class was established in the 19th century thanks to the work of photographers such as Jacob A. Riis. This resulted in the emergence of the worker-photography movement. This type of photography developed significantly in the interwar period, when Dorothea Lange and Edith Tudor-Hart photographed the harsh living conditions and social divisions of the Great Depression. By professionally photographing social life or ‘the life lived by the other half’, as Riis stated in the title of his book, they became social documentarians. Riis was referring to the well-known saying that ‘one half of the world does not know how the other half lives’. It was precisely owing to the ‘other half’ that the focus shifted to a whole range of marginal social groups, from workers, homeless people and immigrants, to all those removed from the centre of political power. Some of these photographs, such as Migrant Mother (1936) by Dorothea Lange, became iconic images of an era.
Jezikengleski
Vrsta publikacijeZnanstveni rad - Izvorni znanstveni rad
Status objaveObjavljen
Vrsta recenzijeRecenziran - međunarodna recenzija
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov zbornikaFormats of (Non)Seeing
Brojčani podacistr. 108-123
ISBN9789533730530 (e-izdanje)
DOIhttps://doi.org/10.31664/9789533730530.05
Datum objave publikacije2024
ProjektŠifra: IP-2019-04-1772
Naziv (hrvatski): Teme i aspekti hrvatske fotografije od 19. stoljeća do danas
Naziv (engleski): Themes and Aspects of Croatian Photography from the 19th Century until Today
Kratica: Ekspozicija
Voditelj: Sandra Križić Roban
Pravna nadležnost: Hrvatska
Financijer: Hrvatska zaklada za znanost
Linija financiranja: Research Projects
SkupNaziv: Formats of (Non)Seeing
Lokacija: Split, Hrvatska
Organizator: Institut za povijest umjetnosti
Datum početka: 2022-10-27
Datum završetka: 2022-10-29
Vrsta izlaganja: Predavanje
Vrsta resursaTekst
IzdavačInstitute of Art History
Mjesto izdavanjaZagreb
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Datum i vrijeme pohrane2025-02-07 13:09:38